It seems that 2009 will be rich with the artistic creations of the artist! It also seems INDRA decided to finish the series of 12 albums that compose the entire…

INDRA offers some hints about his way of making music in the German ‘Synthesizer Magazine’ (2007). Useful pour ‘les connaisseurs’…

‘The Berlin School style has to be wisely explored and structured in such a way that the resulting compositions could easily be nominated as true musical gems, rich and deep in content for the quiet and instructed listener. One has got to entirely rethink the very essence of Berlin School style of music, its structure, and also “rebuilt” the accents having preferably a melodic way. I mean not the ‘cheap’ melodies but the ones that indeed are subtle and able to correctly and harmoniously show various forms through the whole length of the track.’ (INDRA)

After appearing in our last issue No.31, INDRA from Romania proved his interpretation of the Berlin School sound is quite diverse in its structure. Although his compositions are lengthy, the twist & turns he incorporates in the music is always interesting and entertaining. So, we were happy to get the chance to have a chat about his music and as a bonus, some unreleased sounds as well. (Mick Garlick)

‘Generally speaking, I try to enrich my live performances with special video projections, light effects, lasers etc, all these having the purpose not the entertainment of the audience, but the facilitation of a state of self consciousness. So the spectator begins to live for himself a more and more profound experience, generated by the carefully chosen combination of musical tones and rhythms with video images.’ (INDRA)

Sylvain Lupari from Canada compiled a batch of 30 questions for INDRA. Having already more than 25 albums, the listeners want to know more about the artist, his life and his sources of inspiration…

‘I have always tried to express my artistic emotions through various styles, including German music, classic music, holistic therapy and music therapy. Along the years I’ve apprehended that a distinct part of the world’s electronic music known as the Berlin School could be the most important art school regarding this type of music. Still, once I’ve passed the initial stages, I’ve somehow changed the classical orientation of this school, adding elements closer to new age style, a certain ‘melody’ of the soul and the influence of pure, inner emotions.’ (INDRA)