This album is not available anymore due to the poor sound quality and poor condition of the master tapes.

‘What remains constant is the reason why I make music. It’s not commercial, but addresses a special kind of being, to which only a few people in our modern stressed and agitated society, have access. Here, the spiritual dimension, which gives direction and coherence to existence, is fundamental. I am trying to give through electronic music a part of uncontainable from what is spirit. This creative activity is naturally contained on an ascending spiral, because it represents a conscious effort that is orientated towards the essence of the being, i.e. toward the interior, and not the exterior.’ (INDRA)

Six years after the first interview in 2007, the British editor of the electronic music magazine Sequences (www.sequencesmagazine.com) returns with a new set of questions for INDRA. The interview was published during a podcast on 29th January 2013.

Luis Rodriguez wrote an inspired presentation on his site (Electroalquimia) about INDRA and the musical activities of the artist. In a synthetic and inspired rendering, he captures the vision of INDRA on electronic music and especially the Berlin School style.

Although the “roots” of his musical creation are infused by the Berlin School style, INDRA’s music succeeds in transcending it, embracing also other trends more or less related to this style, such as ambient or new-age, offering a more musical and spiritual component to his work.
Even if he appreciates a lot this style of electronic music, INDRA is also aware of its “limitations”, supporting the development of a superior and “improved” version of what represents the legacy of the Berlin School: ‘Old Berlin School style “sins” because of some “sterility” at the emotional level. The mental state of trance, reachable when listening to a few typical Berlin School style music tracks, is not necessarily obtainable through long, monotone, sometimes tiresome and often not very suggestive repeated sequences (…) Ostinato is good, but it has to be used in an optimum way. I think I succeeded in bringing this dimension of ‘making things happen’ to the Berlin School style, adding also a hint of melodic line, which has the role to connect the listener to their heart.’

A year and a half after the release of the last album from this series, created in the Berlin School style, Indra returns with the ninth title: MATANGI, a continuation on the musical journey with the theme of The 10 Great Cosmic Powers from the Hindu tradition.

After finishing the series of digital re-edits of some older albums, INDRA speaks about his future musical plans as well as about other interesting aspects in the world of music,…